The Fierce and the Dead have released their third studio album released on the Bad Elephant label this year. The quartet have shown no sign of stopping. It’s almost like a Rubik’s cube to see what mysterious passageways and parallel universes the band would discover to open these doors to see what lies ahead in these infinite worlds and decided where they would go to next.
And The Euphoric is like that. They’ve created this alternate score with some of the post-punk, ‘80s new-wave sound that has made me come back for more on their adventures since listening to their first instrumental track released eight years ago simply titled as Part 1.
Matt, Kev, Stuart, and Steve have shown that they are new captains of the millennium falcon and being a part of their ride as they make the jump to light-speed into the cosmos. Not to mention the incredible album cover done by comic book artist whose best known for his work with Bill Willingham’s Fables, Mark Buckingham.
The opener, Truck gives Matt Stevens and Steve Cleaton a chance for their guitars to rev up to get the car ready for the sun to rise. It has these Russian Circles-style of the quartet into the desert highway at dawn. Alongside Steve and Matt doing the driving, they do this midsection that is a stop-and-go sequence before going back into the Falcon for another adventure.
With 1999, Feazey’s synths and bass creates this score as if he was doing the music for John Hughes’ 1985 classic, The Breakfast Club. It has these textures between NEU!, Ultravox, and XTC combined into one for the Fierce and the Dead to carry their torches for them and making sure their legacy will keep going for many generations to come.
Kev pays nod to both Kraftwerk’s Trans-Europe Express and Vangelis’ score to the 1982 cult classic, Blade Runner with Dug Town. It then changes near the end for the rhythm and lead section to create this intensity as Stuart follows suit on the drums on knowing once they leave the city, they can start a new beginning.
Verbose is Gothic and Post-Punk to create this level for some of these ominous surroundings thanks to Feazey’s dooming bass work. It creates this ride that is more and more increased the get the energy levels up. The Fierce and the Dead have always been one of my favorite bands. And it is always wonderful to hear what the quartet will think of next.
I always wonder what Matt Stevens himself will think of next since I was blown away from his solo debut release of the Echo album released back in February of 2010 which I reviewed here on my blog site. He’s come a long way. And for him to be not just part of the label with Bad Elephant Music, but The Fierce and The Dead are in my opinion are a family that works together. And The Euphoric is the growing spark.