The moment I put on Suburban
Ghosts on my platform CD player, I can imagine a trip back in time where
music was really, really good. And the collaboration between Chris Braide (This
Oceanic Feeling) who wrote lyrics for Beyonce, Pharrell Williams, and Marc
Almond to name a few, and with Keyboardist Geoffrey Downes (The Buggles, Asia,
and Yes), it’s an excellent collaboration and combination of the two. This is
their second album and follow up to 2012’s first collaboration with Pictures
of You.
The album deals with isolation, loneliness, and at times
depression in a small suburbian landscape and it goes back to both Chris and
Geoff’s childhood growing up in the area filled with wastelands, getting out of
extreme fear and the irrational places that they need to survive and escape
from. They start to try to find a new beginning, a new chapter, and a new
adventure with the flashbacks of the ghostly past to finally let them go.
And the album itself, is a wonderful structure of finally letting
go of the past and moving into the other world to see what new beginnings and
ideas await for the people to escape the danger they are in. With a trip to the
essence of the late ‘70s/early ‘80s as if it was recorded in that time period,
you can imagine yourself being in your room playing from start to finish and
just identifying yourself in the structure and the album will be a soundtrack
for your life.
The riveting opener, Machinery
of Fate starts with a very fast running rhythm beat that has a
haunting/rising beat on the loss of hope by a sound of a Pat Benatar-sque
groove that Downes gives shining melodic beats on the keyboards while Number One sounds between a combination
of City Boy and Chris De Burgh. It almost as if it could have been used in an
episode of Miami Vice with the chase
sequence and the song kicks into high gear the moment Don Johnson’s character
hits the pedal to catch crooks with his Ferrari Testarossa.
Vanity shows
Braide’s vocals into a beaming effect on the imaginable and ripple composition
as Downes Piano shows the dystopian nightmare that’s about to begin whilst
escaping from the corruption. The catchy synth melodies on Time Goes Fast, has drum rhythms that is thumping and pounding with
a chance to reach the stars and I hope one of these days it will become a live
favorite if they get a chance to perform the composition to stand on their feet
and clap to the sound.
The three-part title track, lifts your spirits high. There’s
an interesting twist between Roxy Music’s Avalon-era
and Yes’s 90125-era to jump ship as
Guitar’s go into ascending beats with keyboard based electro-rock. Alongside
both the two bands, there’s also the essence of Franco Battiato’s Patriots thrown into the blender. And
Geoff himself, knows exactly where Chris goes into his vocal arrangements to
move forward and see where the road will take into next.
It’s my third time listening to Suburban Ghosts. This is the right album at the right time for me in
my opinion to delve into more of what I’ve experienced of my listening ears. It’s
Synthpop, Electro-Rock, AOR (Album-Orientated Rock), and new wave at its best.
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