This 2-CD set sees Stick Men back at the land of the rising
sun again which they were on tour this year at the time promoting their new
album, Prog Noir. This is the second
time they brought along a member of King Crimson. They did that with violinist
David Cross on the Midori album, this
year they brought Saxophonist and flautist, Mel Collins to the forefront for
those performances. These were two complete shows they did recorded live on
February 21, 2017 in Tokyo at the Billboard.
It’s almost as if you are going back for another round with
Stick Men. Since I have a love of King Crimson’s music, Stick Men are now one
of favorite bands since last year after discovering them on Sid Smith’s
Podcasts from the Yellow Room. Tony Levin, Markus Reuter, and Pat Mastelotto
are like a band of brothers working together as a team.
There are so many moments on Roppongi I wish I could describe on third or fourth listen, but it’s
a trip to listen more of the incredible band who not only are bringing the
sounds of Crimson and Robert Fripp as he described it as a Way of Doing things,
but bringing in new material also. In an interview that is published right now
by Anil Prasad of Innerviews: Music
Without Borders, Pat mentioned they want to move forward and write their
own material.
There’s a huge amount of miles for Stick Men he said that
wants to be together both on and offstage and show how much has depend in their
relationship between all three of them. I think in my opinion, it would be very
interesting to see something like that and not just play the music of Crimson,
but bringing in some new material to see if they appreciate it or not.
But when you listen to these amazing live performances in
Tokyo, you can feel the vibrations of not just Crimson’s music, but their own
sound, their own music, and the future. And imagine yourself being in the
audience just in awe of these amazing men carrying the grocery bags they bring
to the Mighty Thor hammer with them. There are of course the classics including
Larks’ Tongues in Aspic Part II and
the snarling intensive journey into the tidal waves whilst going into the outer
limits on Sailor’s Tale.
But Mel Collins on the title track, his flute and sax brings
you into a journey of relaxation into the rivers and forests that show a light
of hope. He gives the audience a hypnotic texture to show where he and Stick
Men are about to take them into. On the second show of the second CD, Prog Noir is a dangerous live version.
This is a much better version that’s better than the studio
version. And as I’ve mentioned in my review of the album last year, Stick Men
carry the nod of David Bowie’s Outside-era.
Now I’ll admit this, Tony Levin is not a great singer, but he does a good job
describing the spiritual aspects as Mel comes back into the center stage with Shiro.
He takes his sax by bringing some echoing reverb effects and
walking on a dangerous tightrope for an electronic nightmare with bits of a
sonic voyage. It’s jazzy, avant-garde, and up to know when the brick walls
collapse to increase the heat gage and explode at any second. Level 5 where I
almost heard the squeaky mice effect and dooming brutal forces by making sure
that the battle is ready to begin. It has the nightmare scenarios, goosebumps,
and hitting you right in the stomach as Markus raises the temperature up to 800
degrees. Stick Men never, ever does me wrong.
And with Roppongi which translates to Six
Trees, it shows the band even more since Midori.
While it shows another second round of performances of the two shows they did in Japan
in February of this year, they bring the sinister, ominous, terrifying, and
hidden sounds that creep up behind you. So get ready to embark on another
adventure with Stick Men’s music for the mind-blowing sounds of Roppongi.
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