Horisont are one of the most amazing bands I’ve listened to.
Since forming 11 years ago in their hometown in Sweden and with four albums in
the can, the quintet bring the essence of Hard Rock and Progressive influences
right into the bone. When it was announced last year that they were signed to a
new label with Century Media Records, I knew right away I couldn’t wait what
they would do next since I was blown away by their previous album, Odyssey. This year, they’ve released
their fifth album entitled, About Time.
It is a sci-fi adventure into time with Space, Metal, and
Prog textures with the ‘70s rocking voyage to hurtle through the outer limits.
And while the cover resembles between EC Comics of Weird Fantasy, Weird Science, and Tales from the Crypt along with magazine sci-fi covers from the
1950s, it quite obvious they know their inspirations when it comes to be
launched inside the ship and getting ready for take-off.
I’ve always wanted to check out Horisont’s music for a good,
good while since they were on Lee Dorrian’s label Rise Above Records during
that time frame and I forgotten about them until three years ago I bought Odyssey and then I was completely
hooked. About Time can do no wrong in
my book and it takes on a whole other level with a brilliant and light-speed
alchemy space-metal-prog voyage and it is fucking amazing!
Horisont’s music is never retro, nor nostalgic, they have
their own sound and they want to honor and stay true to their roots and they
are a band I’ve waited for many years to delve into my entire life. And the six
highlights on the album prove that they are waiting for the listener (meaning
you) to embark on a travelling journey through time, space, and parallel
universes.
Point of Return features
powerful riffs, galloping mid-tempo waltzes in the rhythm and not to mention an
eruptive sound at times in the introduction and in the song that gives them a
brilliant take of Alice Cooper’s Billion
Dollar Babies-era as it segues into Boston
Gold. With its AOR and Prog-Rock vibes, the vocals and sound bring the vibe
of the mid-1970s.
Epic roaring guitars and the story featuring the synths
going around the piece deals with the story of the enemy coming for your life
and trying to survive. On Hungry Love, the
vocals bring to mind of a young Rob Halford hitting those high notes as Moogy
mid-sections and lead improvisations hurl through the cosmic insanity while Letare which is sung in Swedish, stands
on its own.
Electrical which I
hope is going to be a live favorite, stands out as one of the highpoints. You
have the lyrics set in a cyber-futuristic world as the sound becomes a revving,
mid-tempo, and militant driving force followed by some kick-ass drum work. I
have to say, they got it down on a piece of paper and know exactly where they
will go.
The closing title track, has these bluesy, soothing, and
haunting track as we head back into the time machine to be ready to head back
home. You have the Bass, Electric Piano, Drums, and major and minor chords it
is a space-rock surrounding voyage to set course for home as we hear the radio
serial of Escape recorded on October
22, 1950 of their take of H.G. Wells’ The
Time Machine which starred John Dehner and Lawrence Dobkin. The music near
the end syncs well to add the tension in the sequence as the machine is ready
to head into 100,000,80 A.D.
I had an amazing blast listening to Horisont’s new album.
The new album is an adventure worth checking out and you will not be
disappointed. They are bringing real good music back to the core on how it’s
supposed to sound and it has my stamp of approval. Prepare for the journey with
Horisont’s About Time.
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