Monday, June 29, 2020
Tuesday, June 23, 2020
While we’re living in these tricky times in 2020 with the
Quarantine situation and COVID-19, music is our comfort zone to get away from
those rough moments that we are going through right now. That and the latest
release from MoonJune Records with pianist Gary Husband and Touch guitarist/live
electronics Markus Reuter entitled, Music
of our Times. This is the labels 101st release. Recorded at NK
Sound Studio in Tokyo, Japan, Husband and Reuter create these visual
soundscapes to capture the structures between loneliness, superstition, beauty,
and chambering echoes.
The story goes like this, Leonardo Pavkovic booked a block of studio time in Tokyo after Stick Men were stranded by finishing off a performance in Nagoya at Blue Note. So what he did was to construct a plan “B” idea for both Gary and Markus before their return flight. And it was all recorded in one night.
Similar to what John Coltrane did with A Love Supreme being recorded for one night at Van Gelder Studios in Englewood Cliffs, New Jersey on December 9th, 1964, Music of our Times carries that torch, but with a strength of surreal beauty that is finally brought to life. With the usage of Fazioli F212 Grand Piano, Husband creates some of these darker passages with an echoing hallway effect.
For Markus, he follows Gary by becoming like a painter of sorts as they’re following in the footsteps of both Jackson Pollock and Julian Schnabel. They’re looking through their exhibitions between both original and plate paintings that are brought to life as if they’re walking through the stories inside those portrayals that are unleashed for the first time.
Some of the pieces including the intensive title-track, channel the crossovers between Keith Jarrett’s playing, meets the soundscapes of Klaus Schulze’s Irrlicht while delving into the dooming structures of Manuel Gottsching’s playing on Ash Ra Tempel’s Traummaschine. They work well together to create these mournful scenarios. On White Horses (For Allan) you can feel the spirit of the late great Allan Holdsworth in this arrangement.
Reuter channels his visual styles to make his own take of the SynthAxe while Husband follows him by going through the loops and walking towards some cavernous reverb effect as Markus’ instruments cries out to the gods by making sure that Allan is watching up from above and understanding that he’s got their backs, no matter what will happen next.
Colour of Sorrow at first sounds like the bass riff intro on Justin Chancellor’s Schism from Tool’s Lateralus. But it becomes different the way Husband goes into the abyss while walking down the stairs to see this glowing light approaching the duo at the right exact moment for them to fly off into the distance.
Now this was a big challenge for me that MoonJune Records have unleashed in 2020. It took me about six to eight listens. Mind you, I had a few albums that I listened that were very challenging at times. And my ears had no idea on whether or not this album was either going to sink or swim.
But for me, Music of our Times is the perfect swimming exercise to listen from start to finish. MoonJune Records have never disappointed me with some of the greatest releases they’ve unleashed. And who knows what the label will think of next. But for Husband and Reuter, in the words of Steve Winwood, “Who knows what tomorrow may bring?”