Whenever Roth-Handle Studios cooks up something strange inside their laboratories, you know that Dr. Mattias Olsson’s experiments are out there when it comes to Molesome. He’s very much like a mad scientist by creating more strange inventions that is waiting to be unleashed. And he’s pretty much done that with the latest release, Are You There?
Listening to this album is like going through the structures
of Hardcore Devo, Post-Punk, Chamber Music, Tori Amos, Bill Fay, The Faust Tapes, The Residents, and the
independent music production library, De Wolfe Music. Mattias has followed
Zappa’s advice by throwing the rule book into the fire. While we might abide by
them, it doesn’t mean we have to follow them. For Mattias, he broke the rules,
one by one.
Sometimes the grooves are trapped in this dystopian house
that is trapped between the 1950s and the futuristic ‘70s. For Olsson, it’s
almost that he had written the alternate score for the German Sci-Fi miniseries
from Fassbinder’s 1973 classic, World on
a Wire. You have the surreal Cinevox Italian Psych lounge take of Long Island, Booji Boy returning to the
post-apocalyptic sequel from Tunnel of
Love with Naturales while Mattias
channels the Faerie Symphony-era from
Tom Newman on Vernon.
Meanwhile Tanaka is speaking through the intercom in the
styles of Laurie Anderson between Spacestation
Funeral and Spirits before
Molesome raises the roof on Tim (Original
Soundtrack). And then, the nod to Delia Derbyshire flows in the string
quartet in the melodic textures of Ziwzih
Ziwih (OO-OO-OO) on Blues Soaked Hope
before the string section takes us to our home planet with our Boxes.
Molesome’s latest release this year may not be everyone’s
cup of Joe, but Olsson is always opening doors to see what the 22nd
century might be waiting for us. Challenging and insanely beautiful, Olsson is
quite the mad scientist that we really need for many years to come in the near
future.
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