There’s something that has crept upon the waters of
vocalizations with a man named Giorgio Pinardi and his voice solo project,
MevsMyself. Since 2015 with the debut release of Yggdrasil, he had begun music when was very young by studying opera
singing and sung in the child choir of the La Scala Theater in Milan, Italy.
After playing with bands, he decided to bring his voice from different
perspectives – extended vocal techniques, body percussion, improvisation, and
experimentation.
That and his second album, Mitclan which was released last year, showcases Pinardi’s
arrangements by travelling through the various improvisations of Mongolian,
African Indian, and Bulgarian music. Now, mind you I was very with this type of
sound from hearing Herbie Hancock's Watermelon
Man from his twelfth studio masterpiece, Headhunters. And two others; Crystal Beth, and the late great Paul
Pena.
Who not only wrote the hit song Jet Airliner, but delved into the world of Tuvan throat singing which
was covered in the 1999 documentary, Genghis
Blues. For Pinardi, he channels those three masters and takes his own spin
of vocal percussions with the twists and turns on Mitclan. Giorgio does well on just his voice, but taking us to
these various landscapes that structure on where he’s going to land.
Sometimes the genres crossover between Jazz, World,
Electronic, Scat, and a touch of Ladysmith Black Mambazo with some tribes of middle-eastern
music thrown into the middle. And mind you, it is quite unexpected, but this
album is quite a journey from start to finish that Pinardi has taken us into
these unbelievable results that you might want to take note on.
While this album took me a long, long time to get into,
Giorgio Pinardi’s arranging and composition was really worth exploring into the
music of MevsMyself. But it was really something that made me wanted to go back
and revisit it again. I don’t recall how many times I listened to, but I went
back again and again to give this album my full stamp of approval for 2020. And
I hope to hear more from Pinardi in the years to come.
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