It’s been three years since I’ve listened to the London based quintet, Led Bib. Since their formation back in 2003, they have released five albums from 2005 to 2014 along with two live releases. They were nominated for the Mercury Prize for their third album, Sensible Shoes and received a 2005 Peter Whittingham Jazz Award for their debut, Arboretum. The quintet have never disappointed me with their essence of Experimental, Modal Jazz, and Punk Rock mixed into a giant blender and it sounds like a snarling beast ready to attack.
I first became aware of Led Bib’s music after hearing some of their music both on Prog Rock Deep Cuts with Ian Beabout and Sid Smith’s Podcasts from the Yellow Room. I can remember buying their fifth album, The People in Your Neighborhood on Wayside Music with my graduation money. And I was hooked. And then all of a sudden I completely forgotten about them....until this year.
They have released their sixth album entitled, Umbrella Weather on a new label with RareNoise Records. This is a Holy Shit release so far this year. It is a volcanic roar. And among one of those supporters is the godfather of punk himself, Iggy Pop who played their music on Iggy Confidential on BBC Radio 6. The album is like looking down the barrel of a gun and seeing if it is ready to reign hell and sweating bullets to kill.
Opener, Lobster Terror which sounds like a ‘50s Sci-Fi B-Movie (think Fiend Without a Face), kicks things off with a bang. The band channel Radiohead’s The National Anthem from the Kid A album. With its intense grooves, mid-tempo fast and exhilarating arrangements, Led Bib roars down like a flaming fire as if going into a gigantic blaze of glory. Fields of Forgetfulness is a tidal wave of destruction as if John Coltrane has hypnotized both Chris Williams and Pete Grogan’s alto saxophones while Mark Holub channels Elvin Jones with Too Many Cooks.
Screeching vibrations on one of their shortest compositions, the quintet delve into a haywire effect. On The Roundabout is a Brazilian-Swing Spacey Jazz Rock adventure. Donin’s intriguing bass lines and Toby’s chilling keyboards sets a scenario before Holub’s drums and the alto saxophones delve into the essence of King Crimson’s Lizard-era as the intense pulsating beats reach climax for the last three minutes in a trippy finale.
Toby’s keyboards takes you beyond the stratosphere and through the outer limits with Insect Invasion. This is another spaced and freak-out adventure thanks to the reverb and delay effects that he brings. He shows no sign of stopping. It’s almost as if he’s the new commander of the starship enterprise and telling his bandmates to make the jump to light speed as it ends in the styles of the New Orleans Jazz groove a-la Preservation Hall style!
Led Bib creates maximum volume and unexpected territories they bring to the Umbrella Weather. They are like a battering ram ready to swing down and bring the sever and extreme brilliance to the Jazz sound and I can imagine they are giving Kenny G the big giant middle finger to show real Jazz is supposed to sound. And they delivered it well. Play this bad-boy really, really, really Loud!