It’s been 11 years since the formation of Pandora launched.
With three albums in the can, they’ve released their fourth album on AMS
records last year. With Pandora’s music combining with themes, plans, memories,
and moods, the father-son relationship between Beppe and his son Claudio
Colombo followed by keyboardist Corrado Grappeggia, they keep the Pandora train
rolling without any stopping. And adding to the line up, Emoni Viruet, makes
the band a quartet.
The new album entitled Ten
Years Like In a Magic Dream features three sections; Fragments of the Presents, Temporal Transition, and Fragments of the Past. Guests include on
here are Dino Fiore and Andrea Bertino from Il Castello Di Atlante, Vittorio Nocenzi
of Banco Del Mutuo Soccorso, and David Jackson of Van Der Graaf Generator. The
first section is a new performance of Pandora’s compositions sung in English
for the first time.
You have Drunken Poet’s
Drama which begins with an Allegro string section by Bertino himself, it
could be the cross between New Trolls and Deep Purple’s concerto before for a
brief second going into the Brazilian vibration. Corrado’s rough voice, takes
you into the mind of the poet’s deep, cavernous, darker tales with a symphonic
progressive metal dramatic followed by the sections from the strings from the
keyboards and from Andrea himself.
I love how in The Way
You Are shows both the keyboards and heavy guitar riffs sheer into battering
punches and followed by lead sections from Claudio by getting the juice with
sparking-electrical results while Passagio
di Stagioni is a tribute to the late great Francesco Di Giacomo. It begins
for the first four minutes and thirty seconds between a mourning sound between
the Moog, Mellotron, and Drums setting in these ominous tones.
And then the Organ and David Jackson blaring the door down
for a weird section as the acoustic-folk comes in to calm everything down and
the cover of Banco’s Canto Di Primavera shines
brightly and honoring the legends thanks to Emoni’s vocals to know that
Francesco’s spirit and legacy will keep growing for years and then Vittorio has
their back and knowing he is lifting his head and pointing to the sky for
Francesco.
Their take of Yes’ Ritual
(Nous Sommes du Soleil) which they do an 11-minute version of the complexuality
composition from their 1973 magnum opus and dividing line in the sand album, Tales from Topographic Oceans shows
Pandora going into a sonic energetic and experimental weird twist to capture
the style and journey beyond the stars. With the loss of Greg Lake last year to
cancer, they honor him with a cover of Lucky
Man.
It starts off with this Floydian-sque guitar lines a-la Dark Side of the Moon-era and then straight
into the classic version For me, this is
Pandora showing support and knowing that the music will never die, but will
live on for many generations to discover the true beginnings of the progressive
genre. Not to mention the insane Moog improvisation to honor Keith Emerson’s
finale near the end of the piece.
I really enjoyed listening to Pandora’s new album. It’s been
three years since I’ve listened to their music while I was nearing the end of
my final semester of Houston Community College. The band can do no wrong for
me. And I hope they will continue to surprise me even more in the future to see
where they’ll do next. In the words of Babe Ruth “Heroes get remembered, but legends never die.”
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