Esoteric Antenna have always
released some amazing new bands and artists that are part of the label
including; Matt Stevens, The Reasoning, Panic Room, Sanguine Hum, Hi Fiction
Science, and now part of the Esoteric Antenna family is a group
that have been around since forming nine years ago in Bristol called Schnauser.
The band have this wonderful combination of Canterbury Prog, Psychedelic Pop,
and ‘60s touches of the Baroque sounds of the Beach Boys thrown in.
The band released four
albums and two EPs that were self-released and on labels including; Pink
Hedgehog, Bitter Buttons, and Fruits De Mer. This year, they’ve released their
fifth album called, Protein for Everyone.
It shows the bands sense of humor and whimsical touches thrown in and they have
done a spectacular job with this. The band considers; Alan Strawbridge on
Guitar/Vocals, Duncan Gammon on Keyboards/Vocals, Holly McIntosh on
Bass/Vocals, and Jasper Williams on Drums.
Opener, Grey or Blue begins with a fuzz tone bass riff, drums, guitar, and
keyboards go into a joyful mood and having the sound of a VOX organ go into the
uplifting melody, is very powerful as Schnauser is having a blast and good time
getting in a good mood before going into a laid-back Beatlesque touch as it
goes into the soaring signature. But Duncan goes into his improvisation on the
organ with the fuzz sound resembling the tribute to Mike Ratledge and into the
sound of the Soft Machine. And it is a great way to start the album off.
The waltz ¾ time signature
of the dystopian title track, has a carousel/merry-go-round touch, has the
Baroque Pop and Syd Barrett elements thrown in with the exchange between the
members. It almost reminded me as if Schnauser had written this in the ‘70s for
the science-fiction film, Soylent Green as
the lyrics deal with selling protein for the plot twist in the lyrics that will
take you by surprise that they are dealing with issues on what’s going on in
the world today.
National Grid is very much of a spacey psych adventure in the world on social media
and not to mention the touches of Caravan’s David Sinclair in the psychedelic
touches while The Reason They’re Here, gives
Alan a chance for Holly to take over on lead vocals as it goes through the
sounds of mellow sound of The Doors as they sing on the creatures of the wasp. Split is a gentle and touching ballad
that Alan sings with the lyrics on dealing with what to do after a relationship
goes wrong as Buon Natale in which it
means “Merry Christmas” in Italian, is romantic with a touch of Country Folk turned mellow grooves and adding a touch of background vocal harmonies of 10cc with elements of the sound from the
Richard Thompson-sque guitar techniques to go with the flavor.
Then we go to the 17-minute
epic finale of Disposable Outcomes. It
begins with Alan doing a tribute to the late great Vivian Stanshall of Bonzo
Dog Band with a radio-like introduction on what we as the listener are about to
hear. Schnauser then goes into the Canterbury improvisation of the early ‘70s
that is a real treat with psych and jazz fusion influences that is out of this
unexpected ideas and let me say they really know their inspirations and roots
very well.
You could hear Hatfield and the North, Egg, and The Soft Machine
thrown into the mix and it is a wonderful adventure of the bass lines, mellotron,
electric piano, horn sections, and acoustic guitars that goes from frenzies
into a soothing prog-pop soaring beat and an adventure before Alan’s Stanshall
comes in for some humorous dialogue before the last 2-minutes is an ascending
ride back home for them to give it a powerful Canterbury closing.
Mark and
Vicky Powell have scored a home run for signing an amazing band that show they Schnauser carry the touches of the genres. And for me, I have listened to Protein for
Everyone about seven times now and I’m hooked into the music of Schnauser
and I can’t wait to see what they would come up with next. So if you love
Progressive-Psychedelic Pop along with the Canterbury influences as well, then Schnauser’s Protein for Everyone is right up in your
alley.
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