Coming from a Post-Progressive and Post-Rock sound, this
quintet launched back three years ago in their hometown in Barcelona. Ilvcia
have released their debut album this year called In the Nature of Reason. The band recorded the entire album
themselves and it’s very much a story-telling album throughout their
compositions along with a suite and from beginning to end, it seems they have
something up their sleeves.
The band considers; Santiago Arderiu on Drums/Percussion,
Ricard Rius on Bass/Backing Vocals, Victor Gil on Guitar, Gerard Marrugat on
Guitar/Vocals, and Guillem Laborda on Keyboards. The moment I’ve put my
headphones on, I knew I was about to experience something that Ilvcia were
about to walk into the light. And throughout the arranging and compositions, I
could tell they want to stay true to their roots of the two genres by making
sure they carry the sound and the concept they bring to the table.
The title of the album comes through their origins and the
inspirations. There are only six tracks on the album and it shows it is almost
like going on a spiritual journey to find out who the real person is behind themselves.
Opener, The Safe, featuring a soaring
flying sound along with an atmospheric chord progression on the keyboards, the
band go into a relax yet layered melodic lines between guitar and bass. It has
a touch of early Floyd meets Yes with a vitalizing feel. There are some
excellent riffs, calming vocals, balladry finale, classical guitar lines, and
mellotron’s soaring with a psychedelic twist.
One of the most touching pieces that has a haunting and
lament structured value on the debut is, Universe
of Fields. It is deep, militant, moving, and passionate as Laborda creates
these darker elements on his instrument while Gil goes into some heavier
passages on his Guitar to give it that strength and poignant beauties. Then, we
come to the 3-part suite, Baghdad, with
a lot of various backgrounds that just takes it to a different level.
From the Middle-Eastern, Flamenco styles of Ottmar Liebert,
and Classical backgrounds (The Gates)
to the symphonic flourishing adventure that Guillem Laborda and Victor Gil do
together that has some spacey technique in their rhythm and the vocalizations
as well setting the uplifting thrust (The Market) and into Laborda’s moment to
shine as he goes through a touch of Major and Minor progressions on the Piano
as if it’s going through a Leslie Speaker before the Synths come in to set
through the starry skies as the band come in with a Post-Rock Psych finale. (The Suburbs)
The closer, Sir T.
Waever, is back into the glorious days of the ‘70s Prog sounds of Genesis
Lamb Lies Down on Broadway-era featuring some wonderful synthesizer exercise
and excellent rhythm / lead guitar work out and Arderiu’s drumming to keep the
tempo flowing and calm. And it shows that while In the Nature of Reason may be their debut album, it’ll show that
while they have a long way to go, it is an enjoyable album that Ilvcia have
released this year.
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