What happens when you combine a dosage of Atoll, Frank
Zappa, Rock In Opposition, Mahavishnu Orchestra and some of the Canterbury
bands of the golden era of the 1970s? Well it is a perfect match made in heaven
from a Seattle Quintet that understands about the genres and know the score by
a group called, Moraine. The band considers Dennis Rea on Guitar, Alicia DeJoie
on Violin, James DeJoie on Sax, Kevin Millard on Bass, and Stephen Cavit on
drums and their performance at Nearfest recorded in 2010 is one the most
thunderous performances I’ve listened to.
Listening to Metamorphic Rock from beginning to end, you can
tell the band was on fire that night and the audiences were in awe and
jaw-dropped the moment the band got down to business. At times it’s dark, fun,
joyous, sinister, and volcanic that feels like they did a score for Salvador
Dali and I can’t put into words how much I enjoyed this album. Alicia DeJoie’s violin work resembles Eddie
Jobson, Darryl Way, and Jean-Luc Ponty as she creates these mythic and
mysterious boundaries on her solo to create this nightmarish sound as her
husband James pays homage to David Jackson of VDGG with some blistering sax
moments that is out of this world which is evidential on Blues For a Bruised
Planet, Save the Yuppie Breeding Grounds and the energetic Disillusioned Avatar
suite.
One of the things that Dennis Rea does with his guitar work
is that he goes through some heavy psych-jazz routines and at times with some
harder edges to his instrument with the late ‘60s inspirational sounds on Kan
Hai De Re Zi, the whirlpool of terror on Uncle Tang’s Cabinet of Dr. Caligari
(an homage to the 1920 silent film), and the middle-eastern touches of Manifest
Destiny. There is no tension and no competition on which is the best band
member in Moraine, they were on tight and completely work like a team and just
really let the electricity flow out with the power and the magic they have in
the sound and creativity they have in them.
I’m now completely hooked on my introduction to Moraine’s
music and having listened to Metamorphic Rock about six times already, I hope
they will have something up their sleeves for this year in 2013 for upcoming Jazz
and Prog festivals and see what they will have up their sleeves for years to
come. Leonardo Pavkovic and MoonJune Records have finally unleashed something
that is out of this world and that the beast has come to rein terror and
Moraine is one of them. For anyone who admires the bands and the genre of the
RIO (Rock in Opposition) scene of the ‘70s, this is a must listen to band and
live album.
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