By now, you’re probably familiar of me champion Texan
Progressive Rock bands/artist including; Proud Peasant, Stop Motion Orchestra,
The Aaron Clift Experiment, Opposite Day, and Eric Roach (Zirque Bois D’Arc).
One of the bands that have taken me under the wings of the Texas Prog scene is
a group from Arlington called Herd of Instinct.
Formed out of the ashes of 99 Names of God, Herd of Instinct
originally started out as a trio, but then moved into a larger ensemble. They
have released so far, two albums on Djam Karet’s record label, Firepool
Records. And with helping hands including Pat Mastelloto and Gavin Harrison to
name a few who are on the road this year with King Crimson, it shows that the
Crimson influences run into the band’s music. Their new album released this
year entitled, Manifestation is a
transitional sound for the group.
Now I first became aware of Herd of Instinct’s music after
listening to them on Prog Rock Deep Cuts with Ian Beabout which I championed
last year in my article on Music from the Other Side of the Room. And I was
hooked into right into their sound from the very beginning. Not only it
captures a textured sound, but more of the future the moment you put the CD on
from start to finish with six centerpieces to get you’re attention. It can be
atmospheric, blaring, hypnotic, and experimental.
Time and Again ranges
into the Space Jazz-Rock adventures thanks to the blaring Sax’s by guest
musician Bob Fisher and Djam Karet’s Gayle Ellett incredible organ
improvisation that channels a futuristic twist of Frank Zappa having hot and
spicy BBQ with Hawkwind meets The Mahavishnu Orchestra. The Warr Guitars and
Chapman Basses that Mark Cook and Rick Read do add the fuel to the Starship
Enterprise for a journey where no man’s gone before.
Part 2 and Part 1 of title track delves into darker themes
with ominous overtones, but layered into the skies of reaching up into the
heavenly clouds combining them with African music, Jazz, different time
signatures, melodic, ascending the outer limits, and should I say Mellotron fulfillments?
The band goes through different melodies in the composition that will send
chills down to the spines on what will happen next and they hit the homerun
into the ball park.
Saddha delves into
the styles of King Crimson’s Starless and
Bible Black-era. Again, the Crimson influences really pack a punch as it
pays tribute to the piece, Fracture.
The guitars really pack a mean punch heading into evil territories that would
have made Robert Fripp blown away by. You know that the danger is always there
and something terrifying is about to happen.
Dybbuk feels very
mysterious. Very much into the essence for a Science-Fiction Film Noir set in a
dystopian universe. I can always imagine this composition with its futuristic
overtones with some dosage of the Rock Progresivo Italiano (RPI) scene thrown
into the mix, being used in a sequence for Ridley Scott’s 1982 sci-fi classic Blade Runner while the somber
flute/violin touches of Nocturne, gives
into the double-layered reverb echo surrealism of a ghost town featuring a
jazzier and ambient/atmospheric 1-minute chamber jazz music that make you feel
that something has gone wrong.
I really enjoyed listening to Herd of Instinct’s new
album. And while I’m getting onto the band wagon of their music, along
with a mind-blowing cover done by Angel Stephens who’s been considered by
Rupert Truman of Storm Studios “The love child of Storm Thorgerson and Roger
Dean.”
Her artwork for this album is amazing. I could tell it’s an
homage between Alejandro Jodorowsky’s 1973 cult classic, The Holy Mountain and the adult illustrated fantasy magazine of Heavy Metal. The artwork and the music
on here, is a powerful illustration of what Herd of Instinct’s vision brings to
the kitchen table. So be prepared for a powerful journey and experience the
sound of Manifestation.
Good to know there's a Texas Prog scene. I got the first two Herd Of Instinct Albums, live in Fort Worth, yet I've never seen HOI live.
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